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FOUNTAIN OF THE ASIAN SWEET WATERS. 23 the light carriages of the Pashas' harems roll rapidly past, decorated with flashing draperies, the horses gaily caparisoned, and the young beauties within pillowed on satins and velvets, and frequently screened by shawls of immense value; while the wives of many of the Beys, the Effendis, and the Emirs, leave their arabas, and seated on Persian carpets under the leafy canopy of the superb maple-trees which abound in the valley, amuse themselves for hours, the elder ladies with her pipes, and the younger ones with their hand-mirrors; greetings innumerable take place on all sides; and the itinerant confectioners and water-venders reap a rich harvest. The Fountain of Guiuk-Suy stands in the midst of a double avenue of trees, which fringe the border of the Bosphorus. It is built of delicate white marble, is extremely elegant in design, and elaborately ornamented with arabesques. The spot which it adorns is a point of reunion for the fair idlers of the valley, when the evening breeze upon the channel renders this portion of the glen more cool and delicious than that in which they pass the earlier hours of the day; and is only separated from it by the stream already named, which is traversed by a heavy wooden bridge. The whole coup-d'oeil is charming; slaves hurry hither and thither, carrying water from the fountain to their respective mistresses, in covered crystal goblets, or vases of wrought silver. Fruit-merchants pass and repass with amber-coloured grapes and golden melons; Sclavonian musicians collect a crowd about them, which disperses the next moment to throng round a gang of Bedouin tumblers; serudjhes gallop over the soft grass in pursuit of their employers; carriages come and go noiselessly along the turf at the beck of their fair occupants; a fleet of caiques dance upon the ripple, ready to convey a portion of the revellers to their homes on the European shore; and the beams of the bright sun fall full on the turretted towers of the Castle of Europe, in the opposite side of the channel, touching them with gold, and contrasting yet more powerfully their long and graceful shadows upon the water. |